That's why Ramya is married to someone else, and settled in Chennai. She is the daughter of a stern father who dislikes Vasu instantly, and he is a laid-back, charming young man who dreams of joining the police force.īut their love, like many others, runs through its own share of problems. So Vasu visits the crime scene, braving the rain - which is a regular fixture throughout the film - and slowly, a back-story unravels: a younger Vasu and Ramya were in college together in Trichy. Her husband Bala (Nandha) is away on a business trip, and the investigating police office calls in Vasudevan, AC (Aadhi, freshly shaven after his murderous debut in Mirugam), who supposedly knows the victim. She's Ramya Balakrishnan (Sindhu Menon), a young housewife. And then, all is pandemonium: a body is discovered in the bathroom, submerged in the tub. He story practically flies off the runway when you see water dripping from an innocuous flat, flowing over the corridors, and alerting the watchman at 2.30 am. No mean feat, considering the limitations on mainstream Tamil cinema. The best part is that he actually makes you cling to the edge of the seat most of the time. Debutant director Arivazhagan, who has written and directed the film, has turned out a horror/suspense film that strives to score points on logic, novelty and raciness. ![]() ![]() The promos show water - lots of it - with artistic splashes in an aesthetic fashion. At first, there seems to be nothing in director Shankar's latest production, Eeram (colloquial translation: dampness) to indicate what the movie is all about.
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